Bibliography
Yep, Laurence. 1997. RIBBONS. New York, NY: Putman and Grosset Group. ISBN 0698116062.
Plot Summary
Robin is an eleven year old girl that loves ballet. She is a very good dancer and works very hard at being the best in her class. One day she finds out that she will no longer be able to take ballet lessons due to the financial difficulties of her parents. Her mother is from China, and is trying to bring her own mother to America to live with them. Robin does not understand why she has to give up ballet just so her grandmother can come and live with them, but her mother insists that they must all make sacrifices. Once the grandmother arrives, and starts to live with them, things actually get worse for Robin. She has to give up her bedroom, and the grandmother spoils her younger brother. As time goes on Robin begins to understand certain things about her grandmother and they are able to bond and become close.
Critical Analysis
This well written story has many cultural markers. The setting is in today’s modern times. Robin is a typical American teenager who is part Chinese. Her father’s nationality is never stated, only that he is Caucasian. She is living in a culturally diverse community. There are Chinese words used throughout the text. Most of them are italicized and a definition follows, for example: “She’s here! She’s here! He shouted excitedly. Paw-paw’s here! Paw-paw is Chinese for maternal grandmother. He started to race for toward the stairs, but I caught him.” This type of writing keeps the story flowing while adding cultural authenticity. The characters are well defined and are not stereotyped. The Chinese American lifestyle is shown here. They live in America and their lives are like so many typical Americans. They also bring with them the Chinese culture and many traditions. The inter workings of the family are where we get the insights into how a traditional Chinese family might live. The mother in the story feels that she must do everything for her mother and brothers. Her brothers on the other hand just seem to expect things from their sister. At one point Robin’s mother states “It’s Chinese tradition to put the boys before the girls”. Robin also finds out about the Chinese tradition of footbinding. This is what was done to her grandmother. Robin and her grandmother get closer after Robin finds out that her grandmother uses canes and lives with terrible foot pain because of this Chinese tradition. The author explains that this practice is not done anymore, but it was done as late as 1949. Through this story we see Robin learn to appreciate her Chinese side of the family, and in the end she does not want her grandmother to leave. The story does a good job of showing how the blending of different customs and traditions can work well together.
Review Excerpts
Midwest Book Review
Startlingly realistic and refreshingly different is this story of a young Chinese would-be dancer forced to give up her dreams when her family must save to bring an aged grandmother into their home from China. Robin's parents can no longer afford ballet lessons, Robin's grandmother proves a crusty old woman who obviously favors her younger brother, and Robin is forced to compromise her dreams until her actions threaten her future. Yep creates a moving and absorbing drama of cultures colliding.
Kirkus Reviews( December 15, 1995 ; 0-399-22906-X )
Her demanding ballet teacher believes that Robin Lee has real talent, but it's unlikely that she'll be able to develop it soon. Every penny her family can scrape up has to be saved to bring Robin's grandmother from China to the US--an obligation that Robin's mother sees as almost sacred--so Robin's lessons are scrapped. When the crotchety old woman arrives, she quickly establishes herself as the center of the Lees' universe. A frustrated Robin dutifully practices her ballet exercises on her own in the garage, but the combination of ballet shoes that have grown too small and a lack of formal instruction results in little progress and increasingly deformed feet. Her anger builds until the day she finds her grandmother soaking her hideously misshapen feet, which were bound in her youth. The sight sobers and humbles Robin utterly and marks the beginning of a touching and beautiful bond between the old woman and the young one. Yep (Hiroshima, p. 642, etc.) creates an elegant tale of love and understanding with an upbeat resolution that will please the most demanding readers. (Fiction. 10-14)
Connections
Read more stories by Laurence Yep: The Star Fisher
Dragon’s Gate
Research Chinese Americans using Non-Fiction books
Thursday, July 24, 2008
Culture 5
Bibliography
Say, Allen. 1993. GRANDFATHER’S JOURNEY. New York, NY: Houghton Mifflin Company. ISBN 0395570352.
Plot Summary
This is the story of a young man telling the story of his grandfather. As a young man, the grandfather travels from Japan to the United States of America. The grandfather sees many places and loves California the best. He goes home to Japan, and marries his childhood sweetheart. They both return to the U.S.A. and raise a family in San Fransico. He once again misses Japan and moves his family back to Japan. His daughter falls in love and marries a husband. They have a child and this is the grandson who tells the story.
Critical Analysis
This is a well written story with many cultural markers. The story is told through the grandson. He is describing his grandfather’s journey to America. The book begins with the story being told by the grandson. He describes his grandfather as a young man in Japan. On this first page is a portrait of his grandfather in traditional Japanese clothing. On the next page we see a picture of the grandfather wearing European clothing, and the text that goes with it says that this is the first time he wears this type of clothing. As the grandfather travels through America we see pictures of him in various outfits of these time periods. The illustrations of the people look authentic and not stereotypical. The clothes that the people are wearing are reflective of the various time periods and places that they are at. When the people are in America they wear typical American outfits, and when they are in Japan they wear Japanese style clothing. The illustrations are beautiful and add authenticity to the story. The author is also the illustrator. The illustrations are done in watercolors. Each picture is in a framed box and looks like it could be a picture from someone’s photo album. He does not use Japanese words in the text. The entire story is in English. As the story is being told we see the love that the grandfather has for both Japan and America. At the end of the story the grandson has the same feelings for both lands also. The story ends with the grandson saying “The funny thing is, the moment I am in one country, I am homesick for the other.”
Review Excerpts
From School Library JournalGrade 3 Up-A personal history of three generations of the author's family that points out the emotions that are common to the immigrant experience. Splendid, photoreal watercolors have the look of formal family portraits or candid snapshots, all set against idyllic landscapes in Japan and in the U.S. (Sept., Copyright 1998 Reed Business Information, Inc. From Kirkus Reviews``The funny thing is, the moment I am in one country, I am homesick for the other,'' observes Say near the end of this poignant account of three generations of his family's moves between Japan and the US. Say's grandfather came here as a young man, married, and lived in San Francisco until his daughter was ``nearly grown'' before returning to Japan; his treasured plan to visit the US once again was delayed, forever as it turned out, by WW II. Say's American-born mother married in Japan (cf. Tree of Cranes, 1991), while he, born in Yokohama, came here at 16. In lucid, graceful language, he chronicles these passages, reflecting his love of both countries--plus the expatriate's ever-present longing for home--in both simple text and exquisitely composed watercolors: scenes of his grandfather discovering his new country and returning with new appreciation to the old, and pensive portraits recalling family photos, including two evoking the war and its aftermath. Lovely, quiet- -with a tenderness and warmth new to this fine illustrator's work. (Nonfiction/Picture book. 4+) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Connections
Read the following books by Allen Say: Tree of Cranes
Stranger in the Mirror
Discuss what it might be like to live in another country and to love both places. (Some students might already have lived in other countries and can share their stories)
Writer’s Corner- Write stories about their own grandparent’s journey
Say, Allen. 1993. GRANDFATHER’S JOURNEY. New York, NY: Houghton Mifflin Company. ISBN 0395570352.
Plot Summary
This is the story of a young man telling the story of his grandfather. As a young man, the grandfather travels from Japan to the United States of America. The grandfather sees many places and loves California the best. He goes home to Japan, and marries his childhood sweetheart. They both return to the U.S.A. and raise a family in San Fransico. He once again misses Japan and moves his family back to Japan. His daughter falls in love and marries a husband. They have a child and this is the grandson who tells the story.
Critical Analysis
This is a well written story with many cultural markers. The story is told through the grandson. He is describing his grandfather’s journey to America. The book begins with the story being told by the grandson. He describes his grandfather as a young man in Japan. On this first page is a portrait of his grandfather in traditional Japanese clothing. On the next page we see a picture of the grandfather wearing European clothing, and the text that goes with it says that this is the first time he wears this type of clothing. As the grandfather travels through America we see pictures of him in various outfits of these time periods. The illustrations of the people look authentic and not stereotypical. The clothes that the people are wearing are reflective of the various time periods and places that they are at. When the people are in America they wear typical American outfits, and when they are in Japan they wear Japanese style clothing. The illustrations are beautiful and add authenticity to the story. The author is also the illustrator. The illustrations are done in watercolors. Each picture is in a framed box and looks like it could be a picture from someone’s photo album. He does not use Japanese words in the text. The entire story is in English. As the story is being told we see the love that the grandfather has for both Japan and America. At the end of the story the grandson has the same feelings for both lands also. The story ends with the grandson saying “The funny thing is, the moment I am in one country, I am homesick for the other.”
Review Excerpts
From School Library JournalGrade 3 Up-A personal history of three generations of the author's family that points out the emotions that are common to the immigrant experience. Splendid, photoreal watercolors have the look of formal family portraits or candid snapshots, all set against idyllic landscapes in Japan and in the U.S. (Sept., Copyright 1998 Reed Business Information, Inc. From Kirkus Reviews``The funny thing is, the moment I am in one country, I am homesick for the other,'' observes Say near the end of this poignant account of three generations of his family's moves between Japan and the US. Say's grandfather came here as a young man, married, and lived in San Francisco until his daughter was ``nearly grown'' before returning to Japan; his treasured plan to visit the US once again was delayed, forever as it turned out, by WW II. Say's American-born mother married in Japan (cf. Tree of Cranes, 1991), while he, born in Yokohama, came here at 16. In lucid, graceful language, he chronicles these passages, reflecting his love of both countries--plus the expatriate's ever-present longing for home--in both simple text and exquisitely composed watercolors: scenes of his grandfather discovering his new country and returning with new appreciation to the old, and pensive portraits recalling family photos, including two evoking the war and its aftermath. Lovely, quiet- -with a tenderness and warmth new to this fine illustrator's work. (Nonfiction/Picture book. 4+) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Connections
Read the following books by Allen Say: Tree of Cranes
Stranger in the Mirror
Discuss what it might be like to live in another country and to love both places. (Some students might already have lived in other countries and can share their stories)
Writer’s Corner- Write stories about their own grandparent’s journey
Culture 5
Bibliography
Na, An. 2006. WAIT FOR ME. New York, NY: Penguin Group. ISBN 9780142409183.
Plot Summary
In this story we see two sisters telling their stories. The main character is Mina. She is trying very hard to be the perfect daughter, but in the process of trying to live up to unreal expectations she has told many lies. Her mother thinks she is the perfect daughter and blatantly favors her. Mina’s sister, Suna, is hearing impaired and thus a lesser person in her mother’s eyes. Mina takes care of her younger sister and tries to protect her from her unloving mother. The story is told in alternating views with the chapters going between Mina and Suna.
Critical Analysis
Mina and her sister Suna are Korean-Americans and this is the fictional story of their lives. They were both born in America and have grown up here. The sisters speak both Korean and English. The parents speak some English, both they are more comfortable speaking Korean. The setting mostly takes place in their home and at the family’s Dry Cleaning Shop in a suburb of Los Angeles. Most of the people in the story are Korean-American. In the home they eat Korean food that the mother prepares. They use the words Uhmma and Apa when referring to their parents. The Korean words that are used are not italicized, but are written into the text. Usually the meanings of the words follow the Korean phrases. An example is when the character of Jonathan is talking to Mina’s mother. “Ahn-young-ha-say-yo, Mrs. Kang, Jonathan said. Please come in.” These words and phrases that are used throughout the text add to the cultural authenticity. The plot revolves mainly around Mina. She is the older sister and feels like she needs to look out for her younger sister. She is also the one that her mother has put the most pressure on to be perfect. As a teenager she has a lot of pressure on her and in an attempt to be the perfect daughter she has created a web of lies. In order to try to escape from all the lies she has created she has started to steal money from her parent’s Dry Cleaners Shop. She meets a young Mexican American boy who is following his dreams, and she begins to realize that she has choices that she will need to make. Leaving it all behind her seems to be the most promising, but then she would be leaving her sister behind. The end of the story does not clearly wrap everything up, but it does clear up some things and leaves us with the hope that she will be just fine in the future and that she will not abandon her sister. The characters are interesting and are not stereotypes. The book is good about cultural authenticity, but it does tend to move a bit slow. The chapters that go back and forth are sometimes distracting and hard to follow.
Review Excerpts
From Booklist*Starred Review* Gr. 8-11. The author of the Printz Award Book A Step from Heaven(2001) tells another contemporary Korean American story of leaving home. This time, though, love is as powerful as the intense family drama. The focus is on high-school-senior Mina, trapped in the web of lies invented to satisfy her overbearing mom, Uhmma, who expects Mina to attend Harvard and escape the drudgery of their small-town dry-cleaning store. Mina's brilliant friend, Jonathan Kim, helps her cheat and steal. She uses him, but he thinks he loves her--and he eventually rapes her. Then Mexican immigrant Ysrael, a gifted musician on his way to San Francisco, comes to work in the store, and he and Mina fall passionately in love. Will she go with him and make a new life free of lies? Ysrael is too perfect, just as Uhmma is demonized, but both are shown from Mina's viewpoint, and it is her struggle with her secrets that is spellbinding. Alternating with Mina's first-person narrative are short vignettes from the perspective of Mina's deaf younger sister, who Mina protects. The conflicts of love, loyalty, and betrayal are the heart of the story--and they eventually show Mina her way. Hazel RochmanCopyright © American Library Association. All rights reserved --This text refers to the Hardcover edition
Voice of Youth Advocates( June 01, 2006 ; 0-399-24275-9 ) Mina's mother has her life planned out for her. After Mina graduates at the top of her class, she will leave the family's laundromat in California and attend Harvard. Mina, a seventeen-year-old Korean American, does not have the high grades that her mother thinks she does. Mina has doctored her report card with the help of Jonathon Kim, the son of a wealthy friend of the family. She does, however, have a plan: She has been stealing small amounts of cash from the register when she does the nightly receipts, and she intends to run away and live on her own after graduation. She feels responsible, however, for supporting her younger half-sister Suna, whom her mother treats poorly. While struggling to decide what she can do with her life, pretending to study for the SAT, and fending off Jonathon's amorous advances, Mina must hide her developing relationship with Ysrael, a Mexican teen who has come to work in their shop while Mina's stepfather recovers from a strained back. Events come to a head when the missing money is discovered. Ysrael is blamed and leaves for music school in San Francisco, and Mina finally stands up to her mother. This Printz award-winning author crafts a difficult book about a girl in a difficult situation. Mina and her sister share the telling of their story. Mina's chapters are in first person, and Suna's are in third. The flipping back and forth creates a distance from both characters. Mina is not particularly sympathetic. The convention of using quotation marks only when English is spoken makes it tough to distinguish Mina's thoughts from conversations in Korean where no quotes are used. Some teens might see themselves in Mina's struggle to free herself from her mother's control, but most will not bother struggling through the flowery language or the slow-moving story.-Timothy Capehart.
Connections
Read A STEP FROM HEAVEN by An Na.
Research Korean-Americans
Na, An. 2006. WAIT FOR ME. New York, NY: Penguin Group. ISBN 9780142409183.
Plot Summary
In this story we see two sisters telling their stories. The main character is Mina. She is trying very hard to be the perfect daughter, but in the process of trying to live up to unreal expectations she has told many lies. Her mother thinks she is the perfect daughter and blatantly favors her. Mina’s sister, Suna, is hearing impaired and thus a lesser person in her mother’s eyes. Mina takes care of her younger sister and tries to protect her from her unloving mother. The story is told in alternating views with the chapters going between Mina and Suna.
Critical Analysis
Mina and her sister Suna are Korean-Americans and this is the fictional story of their lives. They were both born in America and have grown up here. The sisters speak both Korean and English. The parents speak some English, both they are more comfortable speaking Korean. The setting mostly takes place in their home and at the family’s Dry Cleaning Shop in a suburb of Los Angeles. Most of the people in the story are Korean-American. In the home they eat Korean food that the mother prepares. They use the words Uhmma and Apa when referring to their parents. The Korean words that are used are not italicized, but are written into the text. Usually the meanings of the words follow the Korean phrases. An example is when the character of Jonathan is talking to Mina’s mother. “Ahn-young-ha-say-yo, Mrs. Kang, Jonathan said. Please come in.” These words and phrases that are used throughout the text add to the cultural authenticity. The plot revolves mainly around Mina. She is the older sister and feels like she needs to look out for her younger sister. She is also the one that her mother has put the most pressure on to be perfect. As a teenager she has a lot of pressure on her and in an attempt to be the perfect daughter she has created a web of lies. In order to try to escape from all the lies she has created she has started to steal money from her parent’s Dry Cleaners Shop. She meets a young Mexican American boy who is following his dreams, and she begins to realize that she has choices that she will need to make. Leaving it all behind her seems to be the most promising, but then she would be leaving her sister behind. The end of the story does not clearly wrap everything up, but it does clear up some things and leaves us with the hope that she will be just fine in the future and that she will not abandon her sister. The characters are interesting and are not stereotypes. The book is good about cultural authenticity, but it does tend to move a bit slow. The chapters that go back and forth are sometimes distracting and hard to follow.
Review Excerpts
From Booklist*Starred Review* Gr. 8-11. The author of the Printz Award Book A Step from Heaven(2001) tells another contemporary Korean American story of leaving home. This time, though, love is as powerful as the intense family drama. The focus is on high-school-senior Mina, trapped in the web of lies invented to satisfy her overbearing mom, Uhmma, who expects Mina to attend Harvard and escape the drudgery of their small-town dry-cleaning store. Mina's brilliant friend, Jonathan Kim, helps her cheat and steal. She uses him, but he thinks he loves her--and he eventually rapes her. Then Mexican immigrant Ysrael, a gifted musician on his way to San Francisco, comes to work in the store, and he and Mina fall passionately in love. Will she go with him and make a new life free of lies? Ysrael is too perfect, just as Uhmma is demonized, but both are shown from Mina's viewpoint, and it is her struggle with her secrets that is spellbinding. Alternating with Mina's first-person narrative are short vignettes from the perspective of Mina's deaf younger sister, who Mina protects. The conflicts of love, loyalty, and betrayal are the heart of the story--and they eventually show Mina her way. Hazel RochmanCopyright © American Library Association. All rights reserved --This text refers to the Hardcover edition
Voice of Youth Advocates( June 01, 2006 ; 0-399-24275-9 ) Mina's mother has her life planned out for her. After Mina graduates at the top of her class, she will leave the family's laundromat in California and attend Harvard. Mina, a seventeen-year-old Korean American, does not have the high grades that her mother thinks she does. Mina has doctored her report card with the help of Jonathon Kim, the son of a wealthy friend of the family. She does, however, have a plan: She has been stealing small amounts of cash from the register when she does the nightly receipts, and she intends to run away and live on her own after graduation. She feels responsible, however, for supporting her younger half-sister Suna, whom her mother treats poorly. While struggling to decide what she can do with her life, pretending to study for the SAT, and fending off Jonathon's amorous advances, Mina must hide her developing relationship with Ysrael, a Mexican teen who has come to work in their shop while Mina's stepfather recovers from a strained back. Events come to a head when the missing money is discovered. Ysrael is blamed and leaves for music school in San Francisco, and Mina finally stands up to her mother. This Printz award-winning author crafts a difficult book about a girl in a difficult situation. Mina and her sister share the telling of their story. Mina's chapters are in first person, and Suna's are in third. The flipping back and forth creates a distance from both characters. Mina is not particularly sympathetic. The convention of using quotation marks only when English is spoken makes it tough to distinguish Mina's thoughts from conversations in Korean where no quotes are used. Some teens might see themselves in Mina's struggle to free herself from her mother's control, but most will not bother struggling through the flowery language or the slow-moving story.-Timothy Capehart.
Connections
Read A STEP FROM HEAVEN by An Na.
Research Korean-Americans
Monday, July 14, 2008
Culture 4
Bibliography
Bruchac, Joseph. 2000. SQUANTO’S JOURNEY. Ill. By Greg Shed. Orlando, FL: Harcourt. ISBN 0152018174.
Plot Summary
This is the story of Squanto. The story is told from the Native American perspective. The story about the pilgrims is usually told from the perspective of the pilgrims. This is Squanto’s life story. He is a Native American that was born in 1590. He was of the Patuxet people. He narrates his story and tells how the white men came to his land. He became friends with John Smith and several others. One day a man who said that he was friends with John Smith invited him and several of his friends to his ship for a feast. This man, Thomas Hunt, was not a friend of John Smiths, and he took Squanto and the others as captives. He took them all to Spain. Some religious men freed them. Squanto then went to England and learned how to speak English. He is able to then go back to America and live as a guide and an interpreter.
Critical Analysis
This is a much needed interpretation of the story of the pilgrims. It gives a Native American perspective that is not usually told. The plot centers on the life of Squanto. The text is written as if he is narrating his life story. This is a very authentic story and is not the typical sugar coated version of the first thanksgiving. It tells how he was taken into slavery, but was able to make it back to his homeland. The story then continues on about his life and the contributions he made during his life as a friend and interpreter to the English. The author uses some, but not a lot of, culturally authentic words throughout the story. The words are from the Patuxet language. He seamlessly writes these words into the text. The words are usually italicized and then the meaning of the word follows. For example: “I remembered I was pniese, a man of courage.”
The beautiful pictures are a definite bonus to this story. The book says that the illustrations were done in gouache. This is a form of watercolor that uses opaque pigments rather that the usual transparent watercolor pigments. The pictures have a lot of browns, golds, blues and greys in them, adding a soft touch to the story. The characters in the story look authentic for that time period.
The author has a Author’s Note page at the end that shows that he is part Native American. It also shows that he still had to do a lot of research so that the book would be an authentic representation.
Review Excerpts
From School Library JournalGrade 2-5-A picture book that focuses on the young Indian who helped the Pilgrims survive the brutality of the New England winter. When he was 24, an English captain abducted Squanto along with 20 of his tribesmen and took them to Spain to be sold as slaves. Spanish friars helped him escape to England where he learned the language and dreamed of going back to his native land. When he finally returned, he served as translator and mediator between the English colonists and the other Indian tribes. He convinced Samoset, a sachem of the Pemaquid, to accept and work with the white settlers. It was this cooperation that helped the tiny Plymouth Colony to survive. Many authors have given the Native American credit for his role in the survival of the colony. What distinguishes this first-person account is the authenticity of detail. In his author's note, Bruchac describes the research that he used to flesh out the story with dates and names. However, because of the wealth of facts, the text has a stilted quality. Shed's full-page gouache illustrations are beautifully executed in golden, autumnal tones. There is a richness of detail in the pictures that echoes the passion for historical accuracy in costume and interior-and-exterior dwellings. However, the full-bled illustrations tend to overwhelm the text and the uniformity of their size and placement can become somewhat tedious. Still, most libraries will want to own this version.Barbara Buckley, Rockville Centre Public Library, NY Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From BooklistGr. 4-8. The history is fascinating--the crucial role played by the Patuxet Indian Squanto, who helped the first New England colony survive--but it doesn't work very well in this picture book. The long, first-person, fictionalized narrative is awkwardly contrived to bring in the facts, and the full-page gouache paintings are romanticized, with all the noble Native Americans bathed in a golden glow. The facts are exciting, and Bruchac and Shed have painstakingly researched the events and the details, from the food served at the first Thanksgiving feast to the clothing worn by the Pilgrims ("Not hats with buckles on them!" Bruchac exclaims in his long, informative author's note). Squanto survived captivity and slavery in Europe, then he returned to play a crucial role as mediator in New England, living in the world of the whites and of several Indian nations. Older readers will want to go from here to find out more about the fascinating man and about the history from the Native American viewpoint. Hazel RochmanCopyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Connections
Compare and contrast the various stories told about Thanksgiving
Research Squanto and the Patuxet people
Discuss how present day Native Americans live
Bruchac, Joseph. 2000. SQUANTO’S JOURNEY. Ill. By Greg Shed. Orlando, FL: Harcourt. ISBN 0152018174.
Plot Summary
This is the story of Squanto. The story is told from the Native American perspective. The story about the pilgrims is usually told from the perspective of the pilgrims. This is Squanto’s life story. He is a Native American that was born in 1590. He was of the Patuxet people. He narrates his story and tells how the white men came to his land. He became friends with John Smith and several others. One day a man who said that he was friends with John Smith invited him and several of his friends to his ship for a feast. This man, Thomas Hunt, was not a friend of John Smiths, and he took Squanto and the others as captives. He took them all to Spain. Some religious men freed them. Squanto then went to England and learned how to speak English. He is able to then go back to America and live as a guide and an interpreter.
Critical Analysis
This is a much needed interpretation of the story of the pilgrims. It gives a Native American perspective that is not usually told. The plot centers on the life of Squanto. The text is written as if he is narrating his life story. This is a very authentic story and is not the typical sugar coated version of the first thanksgiving. It tells how he was taken into slavery, but was able to make it back to his homeland. The story then continues on about his life and the contributions he made during his life as a friend and interpreter to the English. The author uses some, but not a lot of, culturally authentic words throughout the story. The words are from the Patuxet language. He seamlessly writes these words into the text. The words are usually italicized and then the meaning of the word follows. For example: “I remembered I was pniese, a man of courage.”
The beautiful pictures are a definite bonus to this story. The book says that the illustrations were done in gouache. This is a form of watercolor that uses opaque pigments rather that the usual transparent watercolor pigments. The pictures have a lot of browns, golds, blues and greys in them, adding a soft touch to the story. The characters in the story look authentic for that time period.
The author has a Author’s Note page at the end that shows that he is part Native American. It also shows that he still had to do a lot of research so that the book would be an authentic representation.
Review Excerpts
From School Library JournalGrade 2-5-A picture book that focuses on the young Indian who helped the Pilgrims survive the brutality of the New England winter. When he was 24, an English captain abducted Squanto along with 20 of his tribesmen and took them to Spain to be sold as slaves. Spanish friars helped him escape to England where he learned the language and dreamed of going back to his native land. When he finally returned, he served as translator and mediator between the English colonists and the other Indian tribes. He convinced Samoset, a sachem of the Pemaquid, to accept and work with the white settlers. It was this cooperation that helped the tiny Plymouth Colony to survive. Many authors have given the Native American credit for his role in the survival of the colony. What distinguishes this first-person account is the authenticity of detail. In his author's note, Bruchac describes the research that he used to flesh out the story with dates and names. However, because of the wealth of facts, the text has a stilted quality. Shed's full-page gouache illustrations are beautifully executed in golden, autumnal tones. There is a richness of detail in the pictures that echoes the passion for historical accuracy in costume and interior-and-exterior dwellings. However, the full-bled illustrations tend to overwhelm the text and the uniformity of their size and placement can become somewhat tedious. Still, most libraries will want to own this version.Barbara Buckley, Rockville Centre Public Library, NY Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From BooklistGr. 4-8. The history is fascinating--the crucial role played by the Patuxet Indian Squanto, who helped the first New England colony survive--but it doesn't work very well in this picture book. The long, first-person, fictionalized narrative is awkwardly contrived to bring in the facts, and the full-page gouache paintings are romanticized, with all the noble Native Americans bathed in a golden glow. The facts are exciting, and Bruchac and Shed have painstakingly researched the events and the details, from the food served at the first Thanksgiving feast to the clothing worn by the Pilgrims ("Not hats with buckles on them!" Bruchac exclaims in his long, informative author's note). Squanto survived captivity and slavery in Europe, then he returned to play a crucial role as mediator in New England, living in the world of the whites and of several Indian nations. Older readers will want to go from here to find out more about the fascinating man and about the history from the Native American viewpoint. Hazel RochmanCopyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Connections
Compare and contrast the various stories told about Thanksgiving
Research Squanto and the Patuxet people
Discuss how present day Native Americans live
Culture 4
Bibliography
Smith, Cynthia Leitich. 2000. JINGLE DANCER. Ill. By Cornelius Van Wright and Yin-Hwa Hu. New York, NY: Morrow Junior Books. ISBN 0688162428.
Plot Summary
Jenna is a young Native American girl who is living in today’s world, yet has a deep love for her Native American traditions. Jenna wants to do the traditional jingle dance at the yearly powwow. She has a dress to wear, but it does not have any jingles on it. She goes around visiting relatives and friends and hopes to find enough jingles to so that she can dance at the powwow.
Critical Analysis
The setting of this story occurs during today’s modern times. Jenna is dressed as a typical young girl with a t-shirt and jeans through most of the story. All the characters in the story are dressed in modern clothes and the houses are decorated with modern furnishings. We see Native Americans and how they live just like everyone else. They live in houses and not Teepees. It gives a realistic view of life and not a stereotypical view. The book shows us that a powwow is a special occasion. The author’s beautiful style of writing creatively incorporates many Native American traditions and cultural markers into the story.
The plot revolves around Jenna getting enough jingles on her dress so that she will be able to dance at the powwow. We clearly see how very important this tradition is to her. She watches over and over the video of her grandmother dancing the traditional Indian dance. As she visits different friends and family members we see that they are just like all typical American families. Jenna’s cousin lives in an apartment and works for a law firm. Her friend Mrs. Scott lives in a brand new duplex.
Throughout the story Native American traditions are woven into the text. The author marks time with sayings such as “As Moon kissed Sun good night”. Jenna eats traditional food like fry bread with honey on it. The story has a beat within it. We hear the tink, tink, tink, tink, of the jingles and the brum, brum, brum brum of the powwow drum throughout the story. This gives it an authentic Native American feel.
The beautiful watercolor illustrations really add an authentic feel. We see how the modern day Jenna looks in her typical day to day surroundings, and then we see her dressed up in the traditional Native American dress for the powwow. The soft colors and muted tones add a southwestern feel to the story.
Review Excerpts
From Publishers WeeklySmith, a mixed-blood member of the Muscogee (Creek) Nation, convincingly juxtaposes cherished Native American tradition and contemporary lifestyle in this smooth debut. Watching a videotape of Grandma Wolfe performing a jingle dance, Jenna is determined to dance at an upcoming powwow. But she lacks the cone-shaped, tin jingles that are sewn on to dancers' dresses as part of the regalia. The girl walks down a suburban sidewalk lined with modern houses as she sets out to visit her great-aunt, a neighbor, a cousin and Grandma Wolfe, all of whom lend her jingles for her dress. Smith's language consciously evokes legend. For example, "As Sun caught a glimpse of the Moon" indicates the time of day; and Jenna is careful to borrow only a limited number of jingles, "not wanting to take so many that [another's] dress would lose its voice." Van Wright and Hu's (Jewels) lifelike renderings capture the genuine affection between Jenna and these caring older women. Their easy integration of Native and standard furnishings and clothing gracefully complement Smith's heartening portrait of a harmonious meshing of old and new. Ages 4-10. (Apr.) Copyright 2000 Reed Business Information, Inc.
From School Library JournalKindergarten-Grade 3-Without enough tin jingles to make her dress sing, how can Jenna be a jingle dancer just like Grandma Wolfe at the next powwow? She borrows one row from Great-aunt Sis, whose aching legs keep her from dancing; another from Mrs. Scott, who sells fry bread; one from Cousin Elizabeth, whose work keeps her away from the festivities; and a fourth row from Grandma, who helps Jenna sew the jingles to her dress, assemble her regalia, and practice her bounce-steps. When the big day arrives, the girl feels proud to represent these four women and carry on their tradition. Watercolor paintings in bright, warm tones fill each page. In scenes where she is dancing, backgrounds of blurred figures effectively represent both the large audience and the many generations whose tradition the gathering honors. Seeing Jenna as both a modern girl in the suburban homes of her intertribal community and as one of many traditionally costumed participants at the powwow will give some readers a new view of a contemporary Native American way of life. An author's note and glossary tell more about the Muscogee (Creek) Nation, the Ojibway origins of jingle dancing, and the significance of the number four in Native American tradition. This picture book will not only satisfy a need for materials on Native American customs, but will also be a welcome addition to stories about traditions passed down by the women of a culture.Ginny Gustin, Sonoma County Library System, Santa Rosa, CA
Connections
Students can do research on the history of the Jingle Dance
Students can research contemporary Native Americans
Students can research the Ojibway people who are credited (along with other Native women of Canada) with the Jingle Dance
Smith, Cynthia Leitich. 2000. JINGLE DANCER. Ill. By Cornelius Van Wright and Yin-Hwa Hu. New York, NY: Morrow Junior Books. ISBN 0688162428.
Plot Summary
Jenna is a young Native American girl who is living in today’s world, yet has a deep love for her Native American traditions. Jenna wants to do the traditional jingle dance at the yearly powwow. She has a dress to wear, but it does not have any jingles on it. She goes around visiting relatives and friends and hopes to find enough jingles to so that she can dance at the powwow.
Critical Analysis
The setting of this story occurs during today’s modern times. Jenna is dressed as a typical young girl with a t-shirt and jeans through most of the story. All the characters in the story are dressed in modern clothes and the houses are decorated with modern furnishings. We see Native Americans and how they live just like everyone else. They live in houses and not Teepees. It gives a realistic view of life and not a stereotypical view. The book shows us that a powwow is a special occasion. The author’s beautiful style of writing creatively incorporates many Native American traditions and cultural markers into the story.
The plot revolves around Jenna getting enough jingles on her dress so that she will be able to dance at the powwow. We clearly see how very important this tradition is to her. She watches over and over the video of her grandmother dancing the traditional Indian dance. As she visits different friends and family members we see that they are just like all typical American families. Jenna’s cousin lives in an apartment and works for a law firm. Her friend Mrs. Scott lives in a brand new duplex.
Throughout the story Native American traditions are woven into the text. The author marks time with sayings such as “As Moon kissed Sun good night”. Jenna eats traditional food like fry bread with honey on it. The story has a beat within it. We hear the tink, tink, tink, tink, of the jingles and the brum, brum, brum brum of the powwow drum throughout the story. This gives it an authentic Native American feel.
The beautiful watercolor illustrations really add an authentic feel. We see how the modern day Jenna looks in her typical day to day surroundings, and then we see her dressed up in the traditional Native American dress for the powwow. The soft colors and muted tones add a southwestern feel to the story.
Review Excerpts
From Publishers WeeklySmith, a mixed-blood member of the Muscogee (Creek) Nation, convincingly juxtaposes cherished Native American tradition and contemporary lifestyle in this smooth debut. Watching a videotape of Grandma Wolfe performing a jingle dance, Jenna is determined to dance at an upcoming powwow. But she lacks the cone-shaped, tin jingles that are sewn on to dancers' dresses as part of the regalia. The girl walks down a suburban sidewalk lined with modern houses as she sets out to visit her great-aunt, a neighbor, a cousin and Grandma Wolfe, all of whom lend her jingles for her dress. Smith's language consciously evokes legend. For example, "As Sun caught a glimpse of the Moon" indicates the time of day; and Jenna is careful to borrow only a limited number of jingles, "not wanting to take so many that [another's] dress would lose its voice." Van Wright and Hu's (Jewels) lifelike renderings capture the genuine affection between Jenna and these caring older women. Their easy integration of Native and standard furnishings and clothing gracefully complement Smith's heartening portrait of a harmonious meshing of old and new. Ages 4-10. (Apr.) Copyright 2000 Reed Business Information, Inc.
From School Library JournalKindergarten-Grade 3-Without enough tin jingles to make her dress sing, how can Jenna be a jingle dancer just like Grandma Wolfe at the next powwow? She borrows one row from Great-aunt Sis, whose aching legs keep her from dancing; another from Mrs. Scott, who sells fry bread; one from Cousin Elizabeth, whose work keeps her away from the festivities; and a fourth row from Grandma, who helps Jenna sew the jingles to her dress, assemble her regalia, and practice her bounce-steps. When the big day arrives, the girl feels proud to represent these four women and carry on their tradition. Watercolor paintings in bright, warm tones fill each page. In scenes where she is dancing, backgrounds of blurred figures effectively represent both the large audience and the many generations whose tradition the gathering honors. Seeing Jenna as both a modern girl in the suburban homes of her intertribal community and as one of many traditionally costumed participants at the powwow will give some readers a new view of a contemporary Native American way of life. An author's note and glossary tell more about the Muscogee (Creek) Nation, the Ojibway origins of jingle dancing, and the significance of the number four in Native American tradition. This picture book will not only satisfy a need for materials on Native American customs, but will also be a welcome addition to stories about traditions passed down by the women of a culture.Ginny Gustin, Sonoma County Library System, Santa Rosa, CA
Connections
Students can do research on the history of the Jingle Dance
Students can research contemporary Native Americans
Students can research the Ojibway people who are credited (along with other Native women of Canada) with the Jingle Dance
Culture 4
Bibliography
Dorris, Michael. 1992. MORNING GIRL. New York, NY: Hyperion. ISBN 1562822845.
Plot Summary
This is the story of two children living with their family on an island. The two main characters are Morning Girl and Star Boy. The brother and sister tell their story in alternating chapters. We see life on the island as one of beauty and survival. The family endures the tragedy of losing a baby that does not make it to full term, and we see how each member of the family deals differently with the loss. There is a terrible storm that destroys most of the homes on the island, yet we see the resiliency of these people by seeing how easily they pick themselves up and are able to go on and rebuild their homes. This is all told through the eyes of two children. The end of the book, during the epilogue, hints that times will be changing for the worse for these people.
Critical Analysis
In this story the back cover is the only place that gives clues as to where and when the story takes place and the name of the people. The back cover tells us that this story of the Taino people living on a Bahamian island in 1492. The book starts right away with a young girl talking about her name. Naming a person is a very important cultural marker in this story and its theme is carried throughout the book. Morning girl was given her name because she always wakes up early and with something on her mind. We also find out that on this island a person’s name can change. Morning girl’s brother was originally named Hungry, because he was always hungry and loved food. His named changed as he got older and a more appropriate name was decided on by him and his parents. He becomes Star Boy in the second chapter because he likes the night, and sleeps late into the day. The plot revolves around the daily life of the family. The family faces many difficulties throughout the story, but the close knit family works through all these difficulties as a family. We also see Morning Girl and Star Boy as typical siblings. They annoy each other and often disagree and argue, and like most siblings they also care deeply about one another and are able to work out their differences. After one incident where Morning Girl helps Star Boy retain his pride, Star Boy calls his sister in private The One Who Stands Beside.
The text is well written and flows smoothly. The story does not have many culturally authentic words in it. The author gives good and vivid descriptions of his characters. At one point Morning Girl want to know who Morning Girl really is and her and her mother go over what her face looks like. Morning girl comes to this conclusion “She has a chin like a starfish, and brows like white clouds on the horizon. Her nose works. Her cheeks swell into mountains when she smiles. The only thing right about her is her ears.” There are these types of descriptions used throughout the book. Since it is written through children’s eyes they use what they know when they are describing things.
The abstract at the end of the story is from the diary of Christopher Columbus. In this letter we see that he feels that this group of people needs to be changed. They need Christianity and language. He feels that even though they are kind and welcoming to him that “they should be good and intelligent servants”. He could not just accept that they did not need to be changed. They were happy and self sufficient as they were. It was a sad ending.
Review Excerpts
From School Library JournalGrade 3-6. A story of a Taino girl and her brother, set in 1492 in the Bahamas. Sibling rivalry, jealously, and love?all are related with elegance and warmth, reflecting a simplicity of lifestyle and universality of experiences. Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Kirkus Reviews( August 15, 1992 ; 1-56282-284-5 ) Like the quiet lap of waves on the sand, the alternating introspections of two Bahamian island children in 1492. Morning Girl and her brother Star Boy are very different: she loves the hush of pre-dawn while he revels in night skies, noise, wind. In many ways they are antagonists, each too young and subjective to understand the other's perspective--in contrast to their mother's appreciation for her brother. In the course of these taut chapters concerning such pivotal events as their mother's losing a child, the arrival of a hurricane, or Star Boy's earning the right to his adult name, they grow closer. In the last, Morning Girl greets-- with cordial innocence--a boat full of visitors, unaware that her beautifully balanced and textured life is about to be catalogued as ``very poor in everything,'' her island conquered by Europeans. This paradise is so intensely and believably imagined that the epilogue, quoted from Columbus's diary, sickens with its ominous significance. Subtly, Dorris draws parallels between the timeless chafings of sibs set on changing each other's temperaments and the intrusions of states questing new territory. Saddening, compelling--a novel to be cherished for its compassion and humanity. (Fiction. 8+)
Connections
Students can research the Taino people
Discuss the relationship between the Native Taino people and the Europeans
Discuss present day Taino people
Dorris, Michael. 1992. MORNING GIRL. New York, NY: Hyperion. ISBN 1562822845.
Plot Summary
This is the story of two children living with their family on an island. The two main characters are Morning Girl and Star Boy. The brother and sister tell their story in alternating chapters. We see life on the island as one of beauty and survival. The family endures the tragedy of losing a baby that does not make it to full term, and we see how each member of the family deals differently with the loss. There is a terrible storm that destroys most of the homes on the island, yet we see the resiliency of these people by seeing how easily they pick themselves up and are able to go on and rebuild their homes. This is all told through the eyes of two children. The end of the book, during the epilogue, hints that times will be changing for the worse for these people.
Critical Analysis
In this story the back cover is the only place that gives clues as to where and when the story takes place and the name of the people. The back cover tells us that this story of the Taino people living on a Bahamian island in 1492. The book starts right away with a young girl talking about her name. Naming a person is a very important cultural marker in this story and its theme is carried throughout the book. Morning girl was given her name because she always wakes up early and with something on her mind. We also find out that on this island a person’s name can change. Morning girl’s brother was originally named Hungry, because he was always hungry and loved food. His named changed as he got older and a more appropriate name was decided on by him and his parents. He becomes Star Boy in the second chapter because he likes the night, and sleeps late into the day. The plot revolves around the daily life of the family. The family faces many difficulties throughout the story, but the close knit family works through all these difficulties as a family. We also see Morning Girl and Star Boy as typical siblings. They annoy each other and often disagree and argue, and like most siblings they also care deeply about one another and are able to work out their differences. After one incident where Morning Girl helps Star Boy retain his pride, Star Boy calls his sister in private The One Who Stands Beside.
The text is well written and flows smoothly. The story does not have many culturally authentic words in it. The author gives good and vivid descriptions of his characters. At one point Morning Girl want to know who Morning Girl really is and her and her mother go over what her face looks like. Morning girl comes to this conclusion “She has a chin like a starfish, and brows like white clouds on the horizon. Her nose works. Her cheeks swell into mountains when she smiles. The only thing right about her is her ears.” There are these types of descriptions used throughout the book. Since it is written through children’s eyes they use what they know when they are describing things.
The abstract at the end of the story is from the diary of Christopher Columbus. In this letter we see that he feels that this group of people needs to be changed. They need Christianity and language. He feels that even though they are kind and welcoming to him that “they should be good and intelligent servants”. He could not just accept that they did not need to be changed. They were happy and self sufficient as they were. It was a sad ending.
Review Excerpts
From School Library JournalGrade 3-6. A story of a Taino girl and her brother, set in 1492 in the Bahamas. Sibling rivalry, jealously, and love?all are related with elegance and warmth, reflecting a simplicity of lifestyle and universality of experiences. Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Kirkus Reviews( August 15, 1992 ; 1-56282-284-5 ) Like the quiet lap of waves on the sand, the alternating introspections of two Bahamian island children in 1492. Morning Girl and her brother Star Boy are very different: she loves the hush of pre-dawn while he revels in night skies, noise, wind. In many ways they are antagonists, each too young and subjective to understand the other's perspective--in contrast to their mother's appreciation for her brother. In the course of these taut chapters concerning such pivotal events as their mother's losing a child, the arrival of a hurricane, or Star Boy's earning the right to his adult name, they grow closer. In the last, Morning Girl greets-- with cordial innocence--a boat full of visitors, unaware that her beautifully balanced and textured life is about to be catalogued as ``very poor in everything,'' her island conquered by Europeans. This paradise is so intensely and believably imagined that the epilogue, quoted from Columbus's diary, sickens with its ominous significance. Subtly, Dorris draws parallels between the timeless chafings of sibs set on changing each other's temperaments and the intrusions of states questing new territory. Saddening, compelling--a novel to be cherished for its compassion and humanity. (Fiction. 8+)
Connections
Students can research the Taino people
Discuss the relationship between the Native Taino people and the Europeans
Discuss present day Taino people
Saturday, July 5, 2008
Culture 3
Bibliography
Ryan, Pam Muñoz. 2000. ESPERANZA RISING. New York, NY: Scholastic. ISBN 043912042x.
Plot Summary
Esperanza has lived a privileged life. She is the daughter of a wealthy land owner. The day before her thirteenth birthday her world comes crashing down around her. Her father is killed by bandits. Her two ruthless uncles plot to take over everything. They burn down Esperanza’s house and threaten to do more damage unless Esperanza’s mother will marry one of them. Esperanza’s mother and Esperanza decide that the only way that they can be together is by going to live and work in America. Their former servants and friends take them to America where they must work long hours. We see how they struggle to survive in this new land.
Critical Analysis
In this 1930’s story we are given a window into the lives and struggles of many Mexican immigrants. In this story we see how Esperanza and her mother must adjust their lifestyle. They go from a life of privilege that included having servants and field workers, to becoming field workers themselves. Their hardships and struggles are vividly painted for us by the author. The language of the book is very realistic and the author often writes a phrase or a word in Spanish, and then gives the English translation. This adds to the overall cultural authenticity of the story. Esperanza is a well developed character and we see her grow from a pampered and somewhat selfish young girl into a caring young woman in the span of one year. We see how in the 1930’s the Great Depression was affecting everyone’s lives and that to be a Mexican migrant worker was to be in one of cultures that suffered the most. The living conditions in the camps were all very bad, but for example the Oakies camp was going to have a swimming pool at it. Discrimination was very evident at that time.
For the most part the setting of the story revolved around what was happening in their camp and their daily struggles, with only bits and pieces of the how the outside world was viewing them. Esperanza has to learn a whole new way of life. Her former servants are now her equals and to a certain extent have even more authority in America since they are accustomed to hard work and are better able to cope in this new environment. Esperanza and her mother do not go to America for the “American Dream”. They go to escape their corrupt uncles, and to be able to stay together. Esperanza’s friend Miguel is more excited about the American Dream, since he figures that in Mexico he can never be more than the “class system” will allow him to be. In America he finds out that because of discrimination towards Mexicans that the American Dream is not that easy to attain. He does not give up on it, though, and continues to believe that he will one day attain his dreams. The story does not have a clear cut happy ending, but it does leave one feeling that there is always hope.
The descriptions of the characters are very good and authentic. The author does a good job of describing the the character’s appearances. She describes Hortencia the servant/friend as a solid figure with blue/black hair in a braid down her back. She describes one girl as plump with a fair complexion, and another girl as delicate and frail, having big brown eyes and resembling a deer. She describes the twins as dark-eyed cherubs with thick mops of black hair. At one point in the story the character of Miguel points out to Esperanza that “Those with Spanish blood, who have the fairest complexions in the land, are the wealthiest.” These cultural markers are present throughout the story. The celebrations and foods also play a very important role. The author pays close attention to the important themes of family and foods. The titles of the chapters are names of fruits. She carries this theme through out the book. In the last chapter as Esperanza is telling her grandmother what has happened to them in the last year she tells the story through the use of fruits and vegetables “like a field worker would tell a story”. In the author’s notes we find out that this fictional story is loosely based on the author’s grandmother. She intertwines some of her grandmother’s stories into the telling of the story of Esperanza.
Review excerpts
From Publishers Weekly"With a hint of magical realism, this robust novel set in 1930 captures a Mexican girl's fall from riches and her immigration to California," said PW in our Best Books citation. Ages 8-12. (June) Copyright 2002 Reed Business Information, Inc. From School Library JournalGrade 6-9-Ryan uses the experiences of her own Mexican grandmother as the basis for this compelling story of immigration and assimilation, not only to a new country but also into a different social class. Esperanza's expectation that her 13th birthday will be celebrated with all the material pleasures and folk elements of her previous years is shattered when her father is murdered by bandits. His powerful stepbrothers then hold her mother as a social and economic hostage, wanting to force her remarriage to one of them, and go so far as to burn down the family home. Esperanza's mother then decides to join the cook and gardener and their son as they move to the United States and work in California's agricultural industry. They embark on a new way of life, away from the uncles, and Esperanza unwillingly enters a world where she is no longer a princess but a worker. Set against the multiethnic, labor-organizing era of the Depression, the story of Esperanza remaking herself is satisfyingly complete, including dire illness and a difficult romance. Except for the evil uncles, all of the characters are rounded, their motives genuine, with class issues honestly portrayed. Easy to booktalk, useful in classroom discussions, and accessible as pleasure reading, this well-written novel belongs in all collections.Francisca Goldsmith, Berkeley Public Library, CA Copyright 2000 Reed Business Information, Inc.
Connections
Students can research the celebrations that are talked about in the story
Research the 1930’s and the Great Depression
Read other stories by Pam Munoz Ryan: Becoming Naomi Leon
Riding Freedom
Paint the Wind
Ryan, Pam Muñoz. 2000. ESPERANZA RISING. New York, NY: Scholastic. ISBN 043912042x.
Plot Summary
Esperanza has lived a privileged life. She is the daughter of a wealthy land owner. The day before her thirteenth birthday her world comes crashing down around her. Her father is killed by bandits. Her two ruthless uncles plot to take over everything. They burn down Esperanza’s house and threaten to do more damage unless Esperanza’s mother will marry one of them. Esperanza’s mother and Esperanza decide that the only way that they can be together is by going to live and work in America. Their former servants and friends take them to America where they must work long hours. We see how they struggle to survive in this new land.
Critical Analysis
In this 1930’s story we are given a window into the lives and struggles of many Mexican immigrants. In this story we see how Esperanza and her mother must adjust their lifestyle. They go from a life of privilege that included having servants and field workers, to becoming field workers themselves. Their hardships and struggles are vividly painted for us by the author. The language of the book is very realistic and the author often writes a phrase or a word in Spanish, and then gives the English translation. This adds to the overall cultural authenticity of the story. Esperanza is a well developed character and we see her grow from a pampered and somewhat selfish young girl into a caring young woman in the span of one year. We see how in the 1930’s the Great Depression was affecting everyone’s lives and that to be a Mexican migrant worker was to be in one of cultures that suffered the most. The living conditions in the camps were all very bad, but for example the Oakies camp was going to have a swimming pool at it. Discrimination was very evident at that time.
For the most part the setting of the story revolved around what was happening in their camp and their daily struggles, with only bits and pieces of the how the outside world was viewing them. Esperanza has to learn a whole new way of life. Her former servants are now her equals and to a certain extent have even more authority in America since they are accustomed to hard work and are better able to cope in this new environment. Esperanza and her mother do not go to America for the “American Dream”. They go to escape their corrupt uncles, and to be able to stay together. Esperanza’s friend Miguel is more excited about the American Dream, since he figures that in Mexico he can never be more than the “class system” will allow him to be. In America he finds out that because of discrimination towards Mexicans that the American Dream is not that easy to attain. He does not give up on it, though, and continues to believe that he will one day attain his dreams. The story does not have a clear cut happy ending, but it does leave one feeling that there is always hope.
The descriptions of the characters are very good and authentic. The author does a good job of describing the the character’s appearances. She describes Hortencia the servant/friend as a solid figure with blue/black hair in a braid down her back. She describes one girl as plump with a fair complexion, and another girl as delicate and frail, having big brown eyes and resembling a deer. She describes the twins as dark-eyed cherubs with thick mops of black hair. At one point in the story the character of Miguel points out to Esperanza that “Those with Spanish blood, who have the fairest complexions in the land, are the wealthiest.” These cultural markers are present throughout the story. The celebrations and foods also play a very important role. The author pays close attention to the important themes of family and foods. The titles of the chapters are names of fruits. She carries this theme through out the book. In the last chapter as Esperanza is telling her grandmother what has happened to them in the last year she tells the story through the use of fruits and vegetables “like a field worker would tell a story”. In the author’s notes we find out that this fictional story is loosely based on the author’s grandmother. She intertwines some of her grandmother’s stories into the telling of the story of Esperanza.
Review excerpts
From Publishers Weekly"With a hint of magical realism, this robust novel set in 1930 captures a Mexican girl's fall from riches and her immigration to California," said PW in our Best Books citation. Ages 8-12. (June) Copyright 2002 Reed Business Information, Inc. From School Library JournalGrade 6-9-Ryan uses the experiences of her own Mexican grandmother as the basis for this compelling story of immigration and assimilation, not only to a new country but also into a different social class. Esperanza's expectation that her 13th birthday will be celebrated with all the material pleasures and folk elements of her previous years is shattered when her father is murdered by bandits. His powerful stepbrothers then hold her mother as a social and economic hostage, wanting to force her remarriage to one of them, and go so far as to burn down the family home. Esperanza's mother then decides to join the cook and gardener and their son as they move to the United States and work in California's agricultural industry. They embark on a new way of life, away from the uncles, and Esperanza unwillingly enters a world where she is no longer a princess but a worker. Set against the multiethnic, labor-organizing era of the Depression, the story of Esperanza remaking herself is satisfyingly complete, including dire illness and a difficult romance. Except for the evil uncles, all of the characters are rounded, their motives genuine, with class issues honestly portrayed. Easy to booktalk, useful in classroom discussions, and accessible as pleasure reading, this well-written novel belongs in all collections.Francisca Goldsmith, Berkeley Public Library, CA Copyright 2000 Reed Business Information, Inc.
Connections
Students can research the celebrations that are talked about in the story
Research the 1930’s and the Great Depression
Read other stories by Pam Munoz Ryan: Becoming Naomi Leon
Riding Freedom
Paint the Wind
Culture 3
Bibliography
Soto, Gary. 2003. THE AFTERLIFE. Orlando, FL: Harcourt. ISBN 0152052208.
Plot Summary
In this story a young teenage boy is murdered at the beginning of the story. His real name is Jesus, but he goes by Chuy. Chuy goes to a nightclub with a friend and while he is in the restroom he tells another young man that he likes his yellow shoes. Then before Chuy even knows what is happening the man with the yellow shoes stabs him. Chuy dies in the restroom. The story is then told by Chuy’s ghost and the experiences that he has after he dies.
Critical Analysis
Chuy is a Mexican-American. Even though the story is about what happens to him after he dies, there are many cultural markers that link to the Mexican-American culture. In the story we see glimpses of his life and how it was for him and his family living in the U.S. and being Mexican-American. The author writes the story in English, but frequently uses many Spanish words and phrases. There is a glossary at the end of the book, but it not really a necessity since most of the words or phrases are explained within the text. Family is a major theme throughout the story and Chuy often speaks about his family members using Spanish words. His cousin is referred to as his primo, and his family is mi familia. The use of Spanish words throughout the text adds to its cultural authenticity.
The language and style the author writes in gives it an authentic feel. In the beginning of the book we are introduced to the main character Chuy and we get a feel for him and the culture right from the start. On the opening page it begins with Chuy’s insights: “When you’re an ordinary-looking guy, even feo, you got to suck it up and do your best. You got to shower, smell clean, and brush your teeth until the gums hurt. You got to dress nice and be Señor GQ. You got to think, I’ll wow the chicas with talk so funny that they’ll remember me.” The author quickly established the setting and style. The main character uses some Spanish in his thoughts and throughout the book the language is that of a typical teenage boy.
The setting is basically set in Chuy’s neighborhood in Fresno. Since he is a ghost he has the power to get to different places, but except for going to a football game, he stays within areas that he knows. He goes to his parent’s house, his high school, and around the city he grew up in. He describes many of the things he sees while he flying around as a ghost and he often uses Spanish terms in his descriptions. Most of the people that he encounters are Mexican-American and the words that Chuy uses to describe the people give it an authentic and real feel. He often describes the foods that he sees people eating. He tells of Churros, pan dulce, menudo, and chicarrones. The author accurately shows a Hispanic teenager and the struggles he faces both in life and as a ghost. In both places he just wants to find a place where he fits in.
Review Excerpts
From School Library JournalGrade 7 Up–Gary Soto's novel (Harcourt, 2003) about how a 17-year-old murder victim experiences and analyzes his world across the first week or so of his death is capably read by Robert Ramirez who skillfully weaves together the interspersed Spanish phrases with the largely English text. Chuy goes to a local dance hoping to hitch up with a favorite girl, but when he's in the men's room to give his hair a final appraisal, he unexpectedly dies at the hands of a stranger, a young man wearing yellow shoes. Chuy narrates as his own bleeding body is discovered, police are summoned, and his family is informed of his demise. He sets off to solve the mystery of his own death and, along the way, befriends a homeless man and a fellow spirit, a girl who committed suicide. Soto injects just the right amount of lightness into this tale to keep it from becoming morbid or depressing. Chuy, a complex character, continues to develop—and even decompose in terms of his physical identity—as the plot moves along.–Francisca Goldsmith, Berkeley Public Library, CA
Publishers Weekly(April 18, 2005; 0-15-205220-8; 978-0-15-205220-1)"Soto pens a sort of Lovely Bones for the young adult set, filled with hope and elegance," said PW. "The author counterbalances difficult ideas with moments of genuine tenderness as well as a provocative lesson about the importance of savoring every moment." Ages 12-up. (Apr.) Copyright 2005 Reed Business Information.
Connections
Read and discuss other books by Gary Soto: PETTY CRIMES
BURIED ONIONS
BASEBALL IN APRIL
Research and discuss themes relating to the afterlife
Soto, Gary. 2003. THE AFTERLIFE. Orlando, FL: Harcourt. ISBN 0152052208.
Plot Summary
In this story a young teenage boy is murdered at the beginning of the story. His real name is Jesus, but he goes by Chuy. Chuy goes to a nightclub with a friend and while he is in the restroom he tells another young man that he likes his yellow shoes. Then before Chuy even knows what is happening the man with the yellow shoes stabs him. Chuy dies in the restroom. The story is then told by Chuy’s ghost and the experiences that he has after he dies.
Critical Analysis
Chuy is a Mexican-American. Even though the story is about what happens to him after he dies, there are many cultural markers that link to the Mexican-American culture. In the story we see glimpses of his life and how it was for him and his family living in the U.S. and being Mexican-American. The author writes the story in English, but frequently uses many Spanish words and phrases. There is a glossary at the end of the book, but it not really a necessity since most of the words or phrases are explained within the text. Family is a major theme throughout the story and Chuy often speaks about his family members using Spanish words. His cousin is referred to as his primo, and his family is mi familia. The use of Spanish words throughout the text adds to its cultural authenticity.
The language and style the author writes in gives it an authentic feel. In the beginning of the book we are introduced to the main character Chuy and we get a feel for him and the culture right from the start. On the opening page it begins with Chuy’s insights: “When you’re an ordinary-looking guy, even feo, you got to suck it up and do your best. You got to shower, smell clean, and brush your teeth until the gums hurt. You got to dress nice and be Señor GQ. You got to think, I’ll wow the chicas with talk so funny that they’ll remember me.” The author quickly established the setting and style. The main character uses some Spanish in his thoughts and throughout the book the language is that of a typical teenage boy.
The setting is basically set in Chuy’s neighborhood in Fresno. Since he is a ghost he has the power to get to different places, but except for going to a football game, he stays within areas that he knows. He goes to his parent’s house, his high school, and around the city he grew up in. He describes many of the things he sees while he flying around as a ghost and he often uses Spanish terms in his descriptions. Most of the people that he encounters are Mexican-American and the words that Chuy uses to describe the people give it an authentic and real feel. He often describes the foods that he sees people eating. He tells of Churros, pan dulce, menudo, and chicarrones. The author accurately shows a Hispanic teenager and the struggles he faces both in life and as a ghost. In both places he just wants to find a place where he fits in.
Review Excerpts
From School Library JournalGrade 7 Up–Gary Soto's novel (Harcourt, 2003) about how a 17-year-old murder victim experiences and analyzes his world across the first week or so of his death is capably read by Robert Ramirez who skillfully weaves together the interspersed Spanish phrases with the largely English text. Chuy goes to a local dance hoping to hitch up with a favorite girl, but when he's in the men's room to give his hair a final appraisal, he unexpectedly dies at the hands of a stranger, a young man wearing yellow shoes. Chuy narrates as his own bleeding body is discovered, police are summoned, and his family is informed of his demise. He sets off to solve the mystery of his own death and, along the way, befriends a homeless man and a fellow spirit, a girl who committed suicide. Soto injects just the right amount of lightness into this tale to keep it from becoming morbid or depressing. Chuy, a complex character, continues to develop—and even decompose in terms of his physical identity—as the plot moves along.–Francisca Goldsmith, Berkeley Public Library, CA
Publishers Weekly(April 18, 2005; 0-15-205220-8; 978-0-15-205220-1)"Soto pens a sort of Lovely Bones for the young adult set, filled with hope and elegance," said PW. "The author counterbalances difficult ideas with moments of genuine tenderness as well as a provocative lesson about the importance of savoring every moment." Ages 12-up. (Apr.) Copyright 2005 Reed Business Information.
Connections
Read and discuss other books by Gary Soto: PETTY CRIMES
BURIED ONIONS
BASEBALL IN APRIL
Research and discuss themes relating to the afterlife
Culture 3
Bibliography
Mora, Pat. 1997. TOMÁS AND THE LIBRARY LADY. Ill. Raul Colón. New York, NY: Alfred A. Knopf. ISBN 0679804013.
Plot Summary
Tomás is a young migrant worker who travels with his family every year from Texas to the state of Iowa. His grandfather is a great story teller and Tomás enjoys listening to all of his stories. Tomás’ grandfather encourages him to go to the library to find even more stories. He is very nervous, but he goes to the library by himself, and here he meets a sweet and wonderful librarian who takes Tomás under her wing and shares her love of books with him.
Critical Analysis
This well written story paints a picture for us of a young boy’s experience with the library. In this story we see the struggles of a Mexican-American family. This family is an extended family of migrant workers that travel from Texas to Iowa every year picking fruits and vegetables. Tomás’ family includes his Mamá, Papá, Papá Grande, and his little brother Enrique. We see the important theme of family and how they all live and work together. The story is written in English, but there are many Spanish words integrated into the text. The words are sewn seamlessly into the text for a natural and authentic feel. The author typically says something in Spanish and it is followed by the English phrase. For example “En un tiempo pasado,” Papá Grande began. “Once upon a time…..on a windy night a man was riding a horse through a forest.” The author has a nice way of integrating the Spanish text so that it flows easily. The reader does not have to look up words in a dictionary or glossary because the English phrases follow the Spanish ones. The characters are all authentic and believable. We see Tomas as a likable and polite young boy, and his family is full of hard working and caring people. The librarian enjoys Tomas’s company and loves that she can share her love of reading with him. This theme is central to the plot. In the story Tomas and the librarian bond over their love of reading and Tomas helps the librarian to learn Spanish. We also see in the story that Tomas goes home and reads the books to his family, and it says that he reads to his family in both English and Spanish.
The book is beautifully illustrated with authentic looking pictures. The cover is done in subdued hues with greens and browns. It shows us a Hispanic young boy reading a book with a middle-aged Anglo woman. In the background there are dinosaurs. The whole story is illustrated using these brown and green colors. The pictures are well done and have an authentic feel to them. In one picture we see the car driving through dirt roads, and the reader can almost feel the heat and taste the dust. The illustrations definitely add an authentic feel to the story.
In the Story Notes we also find out that this book is based on the true story of Tomas Rivera who became a national education leader.
Review Excerpts
Booklist(February 1, 1998; Ages 4^-8. Based on a true incident in the life of the famous writer Tomas Rivera, the son of migrant workers, this picture book captures an elemental American experience: the uprooted child who finds a home in the library.
School Library Journal(October 1, 1997; Gr 2-4¿Tomás Rivera, who at his death in 1984 was the Chancellor of the University of California at Riverside, grew up in a migrant family. Here, Mora tells the fictionalized story of one summer in his childhood during which his love of books and reading is fostered by a librarian in Iowa, who takes him under her wing while his family works the harvest. She introduces him to stories about dinosaurs, horses, and American Indians and allows him to take books home where he shares them with his parents, grandfather, and brother. When it is time for the family to return to Texas, she gives Tomás the greatest gift of all¿a book of his own to keep. Colón's earthy, sun-warmed colors, textured with swirling lines, add life to this biographical fragment and help portray Tomás's reading adventures in appealing ways. Stack this up with Sarah Stewart and David Small's The Library (Farrar, 1995) and Suzanne Williams and Steven Kellogg's Library Lil (Dial, 1997) to demonstrate the impact librarians can have on youngsters.¿Barbara Elleman, Marquette University, Milwaukee, WI
Connections
Read and discuss these books by Pat Mora : Confetti
A Birthday Basket for Tia
The Night the Moon Fell
Mora, Pat. 1997. TOMÁS AND THE LIBRARY LADY. Ill. Raul Colón. New York, NY: Alfred A. Knopf. ISBN 0679804013.
Plot Summary
Tomás is a young migrant worker who travels with his family every year from Texas to the state of Iowa. His grandfather is a great story teller and Tomás enjoys listening to all of his stories. Tomás’ grandfather encourages him to go to the library to find even more stories. He is very nervous, but he goes to the library by himself, and here he meets a sweet and wonderful librarian who takes Tomás under her wing and shares her love of books with him.
Critical Analysis
This well written story paints a picture for us of a young boy’s experience with the library. In this story we see the struggles of a Mexican-American family. This family is an extended family of migrant workers that travel from Texas to Iowa every year picking fruits and vegetables. Tomás’ family includes his Mamá, Papá, Papá Grande, and his little brother Enrique. We see the important theme of family and how they all live and work together. The story is written in English, but there are many Spanish words integrated into the text. The words are sewn seamlessly into the text for a natural and authentic feel. The author typically says something in Spanish and it is followed by the English phrase. For example “En un tiempo pasado,” Papá Grande began. “Once upon a time…..on a windy night a man was riding a horse through a forest.” The author has a nice way of integrating the Spanish text so that it flows easily. The reader does not have to look up words in a dictionary or glossary because the English phrases follow the Spanish ones. The characters are all authentic and believable. We see Tomas as a likable and polite young boy, and his family is full of hard working and caring people. The librarian enjoys Tomas’s company and loves that she can share her love of reading with him. This theme is central to the plot. In the story Tomas and the librarian bond over their love of reading and Tomas helps the librarian to learn Spanish. We also see in the story that Tomas goes home and reads the books to his family, and it says that he reads to his family in both English and Spanish.
The book is beautifully illustrated with authentic looking pictures. The cover is done in subdued hues with greens and browns. It shows us a Hispanic young boy reading a book with a middle-aged Anglo woman. In the background there are dinosaurs. The whole story is illustrated using these brown and green colors. The pictures are well done and have an authentic feel to them. In one picture we see the car driving through dirt roads, and the reader can almost feel the heat and taste the dust. The illustrations definitely add an authentic feel to the story.
In the Story Notes we also find out that this book is based on the true story of Tomas Rivera who became a national education leader.
Review Excerpts
Booklist(February 1, 1998; Ages 4^-8. Based on a true incident in the life of the famous writer Tomas Rivera, the son of migrant workers, this picture book captures an elemental American experience: the uprooted child who finds a home in the library.
School Library Journal(October 1, 1997; Gr 2-4¿Tomás Rivera, who at his death in 1984 was the Chancellor of the University of California at Riverside, grew up in a migrant family. Here, Mora tells the fictionalized story of one summer in his childhood during which his love of books and reading is fostered by a librarian in Iowa, who takes him under her wing while his family works the harvest. She introduces him to stories about dinosaurs, horses, and American Indians and allows him to take books home where he shares them with his parents, grandfather, and brother. When it is time for the family to return to Texas, she gives Tomás the greatest gift of all¿a book of his own to keep. Colón's earthy, sun-warmed colors, textured with swirling lines, add life to this biographical fragment and help portray Tomás's reading adventures in appealing ways. Stack this up with Sarah Stewart and David Small's The Library (Farrar, 1995) and Suzanne Williams and Steven Kellogg's Library Lil (Dial, 1997) to demonstrate the impact librarians can have on youngsters.¿Barbara Elleman, Marquette University, Milwaukee, WI
Connections
Read and discuss these books by Pat Mora : Confetti
A Birthday Basket for Tia
The Night the Moon Fell
Subscribe to:
Posts (Atom)